• 21st Century Ceramics, by Lark Books, 2012

  • Ceramics Monthly, Review of Arrowmont Figurative Symposium, January, 2011

  • Sculpture Review, Pot People , December 2010

  • 500 Ceramic Sculptures, Contemporary Practice, Singular Works, Lark Books, Glen Brown Juror, Julie Hale editor, 2009 

  • Ceramics Monthly Magazine, June/July/August, 2009. 2009 NCECA Clay National Biennial Exhibition, Reviews by Germaine Shames

  •  Seattle Post Intelligencer, Theater Fine Arts, Regina Hackett, Oct 24, 2008

  • Truth In Sculpting. The News Tribune, Soundlife section, pg d1,d3, Rosemary Ponnekanti, September 15, 2008
    / text only page

  • Eastside City Arts, Front Cover & Calendar pgs 24, 28, September 2008

  • The Body Politic, Seattle Metropolitan Magazine, Fall Arts, September 2008

  • Confrontational Ceramics (English edition), Front Cover Image, Judith S Swartz, July 1, 2008

  • The Stranger, The Genius Awards, Visual Art Shortlist, Jen Graves, Sept. 13, 2007

  • Tip Toland, Prayer and Preoccupation, Ceramics Monthly Magazine, Mathew Kangas. Aug/Sept 2007

  • The Neddy Finalists,Tacoma Volcano, Alec Clayton, July 26, 2007

  • The Precious and Precarious, Ceramics Art and Perception, Issue 60, 2005

  • 500 Figures in Clay Lark Book, 2004

  • A Head of its Time St. Louis Post-Dispatch, November 16, 1984.

  • A Turbulent Century Produces Art of Strong Social Content St. Louis Post-Dispatch, November 25, 1984
    .
  • Actual Landscapes, Inner Images. Seattle Times, August 1990.

  • American Clay 1981, and the Arts. Art in America, Summer 1982
    .
  • American Clay 1981. Catalog for Meredith Contemporary Art, Baltimore, MD, 1981.

  • American Illustration 4th Annual: The ties that Bind. American Illustration Inc. New York, NY, 1985-86.

  • American Illustration 5th Annual: Restless Nights. American Illustration Inc. New York, NY, 1986-87.

  • Art, Money and the N.E.A. Ceramics Monthly, February 1987.

  • Ceramic Exhibition 3 is a Major Overview. Seattle Times, April 4, 1984.

  • Ceramics and Social Commentary. Published in St. Louis, MO, 1984.

  • Clay: Arts Multipurpose Vehicle. Baltimore Sun, September 1981.

  • Clay Molded to Artists' Visions. The News American, September 1981.

  • Contemporary Crafts: A Concept in Flux. Published in New York, NY, 1986.

  • Down on Paper: The Material is the Message. Miami Herald, April 11, 1982.

  • Galleries Rating Guide. Denver Post, January 1991.

  • Gallery Works Invade Auraria Campus. Rocky Mountain News, January 25, 1991.

  • Goddesses of Clay Make Fertile Symbols. The Seattle Weekly, August, 1990.

  • Looking Back at 1995's Artistic High Points. The Port Townsend Jefferson Co. Leader, December 27, 1995.

  • Mixmasters. Eastside Week, August 25, 1993.

  • New Path for Feat of Clay. Sheboygan Journal, January 1981.

  • Not Just Paper Adds Dimension to Wood. Boca Raton News, April 2, 1982.

  • Northern Rockies Clay. Ceramics Monthly, November, 1981.

  • Paint on Clay. American Crafts, June 1981.

  • Relief on Clay The Oregonian, August 12, 1983.

  • Sculptors Mold a World of Emotion. Seattle Post Intelligencer, August 1990.

  • Show Has Clay with Attitude. Journal American, August 4, 1991.

  • Social Comment is Seen in Parks Ceramic Show. St. Louis Globe Democrat, November 16, 1984.

  • Surrealistic Relief. Missoulian, March 6, 1987.

  • Tapping Creativity. The Port Townsend Jefferson Co. Leader, November 22, 1995.

  • Tapped Goddesses. Reflex, August 1990.

  • Tea Sets for One of a Kind Tastes Served Up in Exhibits.Seattle Post Intelligencer, December 15, 1995.

  • The Westwood Clay National. Published in New York, NY, 1980.

  • War in the Gulf. KIRO News 7 (interview), March 14, 1991, 6:45 pm